Undressing the Pacific is a mid-career survey exhibition of photographic and performance works by Shigeyuki Kihara that spans more than a decade of her prodigious career. The title of the exhibition references the centrality of ‘undressing’ or subversion as a strategy in Kihara’s works, which ‘undress’ the colonial histories of Samoa, and, her use of dress (and states of undress) a read more »
The conference “New Perspectives on Transpacific Connections” held at the Department of Social and Cultural Anthropology, LMU Munich, brings diverse perspectives on connections between the Americas and the South Pacific into dialogue and explores a wide range of linkages between these cultural spaces. read more »
Deadline: May 2, 2013. Funding available for artists (18-30), NGO or non-profit private body, or a public body whose activities contribute to the promotion of culture and artistic creation. If your project meets the criteria set out in the read more »
Header photos (left to right): Performance by Te Pua O Feani, July 21, 2005; Children's Story (Water Dreaming of Two Children), Johnny Warangkula Tjupurrula, acrylic on composition board, 1972; IL IAMB NAI? POMBRAL MOLGA KUNDUL AL? WHO IS THIS PERSON? BLACK OR WHITE? Performance by Michael Mel, April 28, 2007. Rotator photos (numbers one through four): Fiji Project gathering in front of a Masi Kesa from the Museum of Archaeology and Anthropology at Cambridge University, Re-presenting Pacific Art. Edited by Karen Stevenson and Virginia-Lee Webb, Australia: Crawford House Publishing, 2010, Dan Taulapapa McMillin, 'O Taulaitu, Acrylic transfer collage and oil paint on canvas, 2012, PAA 11th International Symposium at the University of British Columbia, 2013.