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The Indigenous Fellowship Programme was launched in 1997 by the Office of the High Commissioner for Human Rights (OHCHR) in the context of the first International Decade of the World's Indigenous People. The aim of the programme is to give indigenous persons the opportunity to gain knowledge on the UN system and mechanisms dealing with human rights issues in general and indigenous issues in particular. Trained participants are better equipped to assist their organisations and communities in protecting and promoting their rights. read more »
We invite presentations, workshops, papers, roundtable discussions and panel proposals relating to concepts of media practice, presenting case studies of media initiatives both from the region and internationally and providing analysis of recent developments, challenges and successes in the areas of communication and social change. We welcome proposals for exhibitions, film screenings or performances. read more »
The study and practice of fashion is located across space and place as a form of creative expression and as a subject for academic analysis. This conference will focus on the material and non-material forms of fashion for a range of professional, commercial, historical, social, cultural and creative purposes.
Header photos (left to right): Performance by Te Pua O Feani, July 21, 2005; Children's Story (Water Dreaming of Two Children), Johnny Warangkula Tjupurrula, acrylic on composition board, 1972; IL IAMB NAI? POMBRAL MOLGA KUNDUL AL? WHO IS THIS PERSON? BLACK OR WHITE? Performance by Michael Mel, April 28, 2007. Rotator photos (numbers one through four): Fiji Project gathering in front of a Masi Kesa from the Museum of Archaeology and Anthropology at Cambridge University, Re-presenting Pacific Art. Edited by Karen Stevenson and Virginia-Lee Webb, Australia: Crawford House Publishing, 2010, Dan Taulapapa McMillin, 'O Taulaitu, Acrylic transfer collage and oil paint on canvas, 2012, PAA 11th International Symposium at the University of British Columbia, 2013.