The ceremonial houses of the Abelam people (East Sepik Province, Papua New Guinea) rank as architectural masterpieces. The impressive buildings, built on a triangular ground plan, often reached heights of up to 30 metres, towering above even the tallest coconut palms. One of their hallmarks was the richly painted façade. They were constructed completely without nails, all elements being held together with the aid of vines and liana ropes; they were built by communal labour and refl ected the strength of the respective community. read more »
The Cambridge Journal of Postcolonial Literary Inquiry is a new peer-review journal that aims to deepen our grasp of postcolonial literary history while enabling us to stay comprehensively informed of all critical developments in the field.
‘Kastom and Contemporary Culture’ and ‘Village • Urban • Global’ are the interlinking themes through which Living Art presents ideas about art, artists, creative processes and aesthetics. With embedded video clips, you-tube links and image galleries, Living Art brings alive the multiple contemporary realities of art and life in Papua New Guinea. Living Art in Papua New Guinea is an art book for the digital age. read more »
Storyboard: A Journal of Pacific Imagery is soliciting submissions for its latest issue (please see the attached flyers). For more information, please contact James Viernes at <firstname.lastname@example.org>.
In Patterns of the Past authors Therese Mangos and John Utanga trace the history and practice of tattooing (tātatau) in the Cook Islands through the ancient oral traditions of its people, reports of often repressive early Western visitors and rich archival material.
More than a survey of times gone by, Patterns of the Past also looks at the renaissance of this art form through the eyes of some its most important contemporary tātatau artists. read more »
Header photos (left to right): Performance by Te Pua O Feani, July 21, 2005; Children's Story (Water Dreaming of Two Children), Johnny Warangkula Tjupurrula, acrylic on composition board, 1972; IL IAMB NAI? POMBRAL MOLGA KUNDUL AL? WHO IS THIS PERSON? BLACK OR WHITE? Performance by Michael Mel, April 28, 2007. Rotator photos (numbers one through four): Fiji Project gathering in front of a Masi Kesa from the Museum of Archaeology and Anthropology at Cambridge University, Re-presenting Pacific Art. Edited by Karen Stevenson and Virginia-Lee Webb, Australia: Crawford House Publishing, 2010, Dan Taulapapa McMillin, 'O Taulaitu, Acrylic transfer collage and oil paint on canvas, 2012, PAA 11th International Symposium at the University of British Columbia, 2013.