We are looking for a research conservator to join an interdisciplinary team to take part in a ground-breaking investigation of a key aspect of Pacific culture.
The three-year research project, Situating Pacific Barkcloth Production in Time and Place, is being funded by the Arts and Humanities Research Council, and is a collaboration between the University of Glasgow, Royal Botanic Gardens, Kew and the National Museum of Natural History, The Smithsonian Institution. read more »
The ceremonial houses of the Abelam people (East Sepik Province, Papua New Guinea) rank as architectural masterpieces. The impressive buildings, built on a triangular ground plan, often reached heights of up to 30 metres, towering above even the tallest coconut palms. One of their hallmarks was the richly painted façade. They were constructed completely without nails, all elements being held together with the aid of vines and liana ropes; they were built by communal labour and refl ected the strength of the respective community. read more »
Header photos (left to right): Performance by Te Pua O Feani, July 21, 2005; Children's Story (Water Dreaming of Two Children), Johnny Warangkula Tjupurrula, acrylic on composition board, 1972; IL IAMB NAI? POMBRAL MOLGA KUNDUL AL? WHO IS THIS PERSON? BLACK OR WHITE? Performance by Michael Mel, April 28, 2007. Rotator photos (numbers one through four): Fiji Project gathering in front of a Masi Kesa from the Museum of Archaeology and Anthropology at Cambridge University, Re-presenting Pacific Art. Edited by Karen Stevenson and Virginia-Lee Webb, Australia: Crawford House Publishing, 2010, Dan Taulapapa McMillin, 'O Taulaitu, Acrylic transfer collage and oil paint on canvas, 2012, PAA 11th International Symposium at the University of British Columbia, 2013.